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  I wonder whether there is a way to revise painting in Japan, which has been suspended at "Japanese painting" - dependent and formed upon academic techniques and strictly committing to a hierarchised system.

  How would the path of painting in Japan be connected to the present, if it had flowed, uninterrupted, as it originally should have? I paint in desire to know.

　アカデミックな技量とともに階層化された制度に厳密に従うことで成立し、存続してきた「日本画」によって中断された日本の絵画を、再考できないかと考えています。

　本来、滞りなく流れゆくはずだった日本の絵画の道行きは、現代にどういう風につながるはずだったのか。知りたくて制作を続けています。

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